\u00d6ns\u00f6z:<\/p>\n\n\n\n
Uygarl\u0131klar\u0131n ba\u015flang\u0131\u00e7lar\u0131ndan beri k\u00fcresel k\u00fclt\u00fcre damgas\u0131n\u0131 vuran S\u00fcmerlerin antik Kenger dili etimolojik kaynak olarak ele al\u0131n\u0131p incelenmezse, hi\u00e7bir k\u00f6kenbilim ara\u015ft\u0131rman\u0131n sayg\u0131nl\u0131\u011f\u0131 olabilir mi? \u00d6nemli bir s\u00f6z da\u011farc\u0131\u011f\u0131n\u0131 sadece varsay\u0131msal bir Hint-Avrupa k\u00f6k\u00fcne dayat\u0131p S\u00fcmer dilinde bulunan daha eski prototipik morfemlerini g\u00f6rmemezlikten gelmek ilmi k\u00f6r bir ideolojinin yarg\u0131lar\u0131nda bo\u011fup k\u00f6lele\u015ftirmek ve cehalete d\u00f6n\u00fc\u015ft\u00fcrmek demektir.<\/p>\n\n\n\n
Art\u0131k yel ba\u015fka y\u00f6ne esiyor. En \u00f6nde gelen ara\u015ft\u0131rmac\u0131lar bile S\u00fcmer-T\u00fcrk ili\u015fkilerini onayl\u0131yor. Bu konuda en uzman dilbilimcilerinden Simo Parpola 2007\u2019de \u015fu sonuca varm\u0131\u015f:<\/p>\n\n\n\n
\u201cAlthough a close relationship of Sumerian with the Altaic family as a whole thus seems excluded, a genetic relationship with Turkish seems possible, as most of the matches are with Turkic languages, and they are basic words and grammatical morphemes also found in Uralic languages. <\/em>\u201c<\/p>\n\n\n\n ( Simo Parpola; \u201cSumerian: A Uralic language\u201c; Helsinki 2007)<\/p>\n\n\n\n <\/p>\n\n\n\n \u00c7ev: S\u00fcmercenin bir b\u00fct\u00fcn olarak<\/em> Altay dil ailesiyle yak\u0131n bir ili\u015fkisi bu \u015fekilde elenmi\u015f g\u00f6r\u00fcnse de hem T\u00fcrk dilleriyle \u00e7ok say\u0131da e\u015fle\u015fmeler hem Ural dillerinde de ayn\u0131 kelimeler ve gramatik morfemler bulundu\u011fu i\u00e7in T\u00fcrk\u00e7e ile kal\u0131t\u0131msal bir ili\u015fki olas\u0131 g\u00f6r\u00fcnmektedir.<\/p>\n\n\n\n B\u00f6l\u00fcmler<\/p>\n\n\n\n 1. Tarihte Dokumac\u0131l\u0131\u011f\u0131n ba\u015flang\u0131\u00e7lar\u0131 <\/a><\/p>\n\n\n\n 2. S\u00fcmer, T\u00fcrk ve Hun Dilinde Giyim ve Dokumac\u0131l\u0131k ile ilgili s\u00f6z varl\u0131\u011f\u0131 <\/a><\/p>\n\n\n\n 2.1 S\u00fcmerce s\u00f6z varl\u0131\u011f\u0131 <\/a><\/p>\n\n\n\n 2.2 T\u00fcrk\u00e7e s\u00f6z varl\u0131\u011f\u0131 <\/a><\/p>\n\n\n\n 2.3 Hunca s\u00f6z varl\u0131\u011f\u0131 <\/a><\/p>\n\n\n\n 3. S\u00fcmerce tug2 \/ tu14 \/ tuku5 k\u00f6klerin miras\u0131 <\/a><\/p>\n\n\n\n 3.1 Hitit\u00e7e<\/a><\/p>\n\n\n\n 3.1.1 Hititlerde giyim<\/a><\/p>\n\n\n\n 3.1.2 Hitit\u00e7e tak\u0161<\/em> ile Uygur metinlerinden gelen tak\u015fut<\/em><\/a><\/p>\n\n\n\n 3.2 Hint Avrupal\u0131 dillerinde *tug2<\/sub> \/ *tu14<\/sub> \/*tuku5 <\/sub>k\u00f6klerin izleri<\/a><\/p>\n\n\n\n 3.2.1 tektonik<\/a><\/p>\n\n\n\n 3.2.2 text\/textil<\/a><\/p>\n\n\n\n 3.2.3 s\u00fcbtil<\/a><\/p>\n\n\n\n 3.2.4 teknik\/teknoloji<\/a><\/p>\n\n\n\n 3.2.5 taktik<\/a><\/p>\n\n\n\n 3.2.6 taxis\/tassein<\/a><\/p>\n\n\n\n 3.2.7 integer <\/a><\/p>\n\n\n\n 3.2.8 tanjant, te\u011fet <\/a><\/p>\n\n\n\n 3.2.9 tact\/contact <\/a><\/p>\n\n\n\n <\/p>\n\n\n\n En eski kuma\u015f par\u00e7alar\u0131n buluntular\u0131<\/p>\n\n\n\n Anadolu topraklar\u0131 d\u00fcnya uygarl\u0131klar\u0131n be\u015fi\u011fini olu\u015fturdu\u011funu arkeologlar\u0131n buldu\u011fu eski kuma\u015f par\u00e7alar\u0131 da kan\u0131tl\u0131yor.<\/p>\n\n\n\n G\u00fcneydo\u011fu T\u00fcrkiye’de ortaya \u00e7\u0131kar\u0131lan eski bir aletin sap\u0131na yap\u0131\u015fan bir kuma\u015f par\u00e7as\u0131 karbon 14 y\u00f6ntemi ile 9000<\/strong> ya\u015f\u0131nda oldu\u011fu tespit edildi. Bu onu \u015fimdiye kadar bulunan en eski bez haline getirmi\u015ftir. Chicago ve \u0130stanbul \u00dcniversite\u2019nden olu\u015fan bir ekip boynuz sap\u0131n\u0131 1988 y\u0131l\u0131nda \u00c7ay\u00f6n\u00fc yukar\u0131 Dicle nehri yak\u0131nlar\u0131nda bir sitede ke\u015ffetti.<\/p>\n\n\n\n Hollanda’daki Leiden \u00dcniversitesi’nden Gillian Vogelsang-Eastwood kuma\u015f\u0131n kal\u0131nl\u0131\u011f\u0131 yar\u0131m milimetreyi ge\u00e7meyen, bir santimetre eninde be\u015fer ve bir santimetre boyunda yedi\u015fer ipliklerle ‘\u00e7ok hassas’ \u00f6r\u00fcld\u00fc\u011f\u00fcn\u00fc belirtti. Muhtemelen keten bitkisinin elyaflar\u0131ndan dokunan bir keten kuma\u015f par\u00e7as\u0131d\u0131r. \u00d6nce k\u0131yafet olarak kullan\u0131lan kuma\u015f daha sonra bez olarak i\u015f g\u00f6rd\u00fc\u011f\u00fc ve sap\u0131n etraf\u0131na sar\u0131ld\u0131\u011f\u0131 d\u00fc\u015f\u00fcn\u00fcl\u00fcyor. 1963’ten beri burada kaz\u0131 yapan Chicago’lu arkeolog Robert Braidwood, \u00c7ay\u00f6n\u00fc’n\u00fcn o tarihte yakla\u015f\u0131k 500 ki\u015filik bir kasaba oldu\u011funu s\u00f6yl\u00fcyor. O boynuz kerpi\u00e7 de bir evin kal\u0131nt\u0131lar\u0131nda bulundu. Yakla\u015f\u0131k 10.000 y\u0131l kadar \u00f6nce insanlar\u0131n yerle\u015fti\u011fi site konaklama amac\u0131 d\u0131\u015f\u0131nda in\u015faat edilen en eski \u201dresmi mimari\u201d \u00f6rneklerinden baz\u0131lar\u0131na sahiptir. Sakinleri \u00e7ift\u00e7ilikle ve avc\u0131l\u0131kla ge\u00e7iniyordu. Bug\u00fcn tan\u0131d\u0131\u011f\u0131m\u0131z evcil hayvanlar\u0131 da vard\u0131. (New Scientist Magazine issue 1883 <\/a>, 24 Tem 1993)<\/p>\n\n\n\n Bir di\u011fer kuma\u015f par\u00e7as\u0131 \u00c7umra \u0130l\u00e7esi s\u0131n\u0131rlar\u0131ndaki 9 bin<\/strong> y\u0131ll\u0131k neolitik yerle\u015fim yeri \u00c7atalh\u00f6y\u00fck\u2019te yap\u0131lan kaz\u0131da bulundu. Stanford \u00dcniversitesi \u00d6\u011fretim \u00dcyesi Prof. Dr. Ian Hodder 2013 y\u0131l\u0131nda haz\u0131rlanan raporda en \u00f6nemli buluntular\u0131n h\u00f6y\u00fc\u011f\u00fcn uygun koruma ko\u015fullar\u0131 sayesinde ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 belirtti. Ian Hodder, \u015funlar\u0131 s\u00f6yledi: \u201cYang\u0131n, binan\u0131n zeminini ve platformlar\u0131n\u0131 \u0131s\u0131tarak f\u0131r\u0131nlama etkisi yaratm\u0131\u015f. B\u00f6ylece zeminin alt\u0131ndaki g\u00f6m\u00fcleri ve g\u00f6m\u00fclerle birlikte ayn\u0131 yerde bir kuma\u015f par\u00e7as\u0131n\u0131 korumu\u015f. Bu kaz\u0131 evindeki laboratuvarda incelenmi\u015f ve kuma\u015f\u0131n kendirden dokunmu\u015f keten oldu\u011fu tespit edilmi\u015ftir. Bu, d\u00fcnyadaki ilk kuma\u015f par\u00e7alar\u0131ndan biri olmakla birlikte ayn\u0131 zamanda en iyi korunmu\u015f \u00f6rneklerden de biridir\u2026\u201d<\/p>\n\n\n\n S\u00fcmerlerde dokumac\u0131l\u0131k<\/p>\n\n\n\n 6000 y\u0131l \u00f6nce Mezopotamya\u2019n\u0131n g\u00fcneyinde Dicle ve F\u0131rat nehirleri aras\u0131ndaki b\u00f6lgeye yerle\u015fmi\u015f olan S\u00fcmerler kil \u00fczerine \u00e7ivi yaz\u0131s\u0131n\u0131 geli\u015ftirerek insano\u011flunun tarihinde yeni bir d\u00f6neme imza atmalar\u0131 yan\u0131nda tekstil \u00fcretimini de daha y\u00fcksek boyutlara ta\u015f\u0131m\u0131\u015flar.<\/p>\n\n\n\n S\u00fcmer uygarl\u0131\u011f\u0131 M\u00d6 2700 ila 2350 aras\u0131nda en y\u00fcksek k\u00fclt\u00fcr seviyesine ula\u015ft\u0131.<\/p>\n\n\n\n \u00d6nceden kuma\u015f dokumak i\u00e7in y\u00fcn toplan\u0131yordu, ancak S\u00fcmerler, y\u00fcnl\u00fc malzemeyi seri \u00fcretmek i\u00e7in bir sistem yaratan ilk toplumdu. S\u00fcmerler, i\u015fi end\u00fcstriyel boyutlara ta\u015f\u0131mak i\u00e7in \u00f6rg\u00fctler kurarak sonraki \u00e7a\u011flara \u00f6rnek olacak man\u00fcfakt\u00fcrler yaratt\u0131lar.<\/p>\n\n\n\n \u0130lk zamanlarda her iki cinsiyetin derisi i\u00e7e d\u00f6n\u00fck ve y\u00fcnleri dekoratif s\u00fcslerle i\u015flenmi\u015f koyun postundan yap\u0131lm\u0131\u015f giyimleri vard\u0131. Bu deriler g\u00f6vdeye sar\u0131l\u0131p yerine tutturularak belden dizlere veya daha \u00f6nemli ki\u015filer i\u00e7in ayak bileklerine kadar uzan\u0131yordu. G\u00f6vdenin \u00fcst k\u0131sm\u0131 ya \u00e7\u0131plakt\u0131 ya da omuzlar ba\u015fka bir koyun postuyla korunuyordu. Yakla\u015f\u0131k M\u00d6 2500’den beri dokunmu\u015f y\u00fcn kuma\u015f koyun derisinin yerini ald\u0131\u011f\u0131nda da giysiye dantel dikerek ya da kuma\u015fa ilmekler d\u00fc\u011f\u00fcmleyerek tepeli g\u00f6r\u00fcn\u00fcm korundu. (Britannica<\/a>)<\/p>\n\n\n\n Daha sonra S\u00fcmerlerde ve Akadlarda giyim daha karma\u015f\u0131k ve yo\u011fun i\u015flenmi\u015f bir tarza d\u00f6n\u00fc\u015ft\u00fc. Bu daha fazla ayr\u0131nt\u0131ya giden d\u00f6k\u00fcml\u00fc kost\u00fcmlerin kan\u0131tlar\u0131 S\u00fcmer sanat\u0131nda tap\u0131nak duvarlar\u0131ndaki bezemeli kabartmalar\u0131nda g\u00f6r\u00fclebilir. En \u00e7ekici \u00fcr\u00fcnler aras\u0131nda her iki cinsiyet i\u00e7in de iki temel giysi olan her biri tek par\u00e7a malzemeden kesilmi\u015f tunik<\/em><\/strong> ve \u015fal<\/em><\/strong>.<\/p>\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n tug2<\/sub>, tu14<\/sub>, tuku5<\/sub>, du3<\/sub><\/p>\n\n\n\n tug2<\/sub><\/strong> \u2013 dokuma, dokunmu\u015f kuma\u015f, giysi, elbise<\/p>\n\n\n\n tu14<\/sub><\/strong> \u2013 d\u00f6\u011fmek, dokumak<\/p>\n\n\n\n tuku5<\/sub> <\/strong> \u2013 d\u00f6\u011fmek, dokumak, vurmak, \u00e7atmak<\/p>\n\n\n\n t\u00fag-\u00edb-d\u00f9<\/strong> \u2013 y\u00fcnl\u00fc bir giysi (‘kuma\u015f’ + ‘bel, kal\u00e7a’ + ‘kal\u0131plamak’).<\/p>\n\n\n\n tug-n\u00ed-d\u00e1ra<\/strong> \u2013 pe\u015ftamal (‘kuma\u015f’ + ‘\u015fey’ + ‘ba\u011flamak; kemer, ku\u015fak’).<\/p>\n\n\n\n t\u00fag-n\u00ed-l\u00e1m<\/strong> \u2013 \u015fenlikli bir giysi, elbise (“kuma\u015f” + “\u015fey” + “hu\u015fu uyand\u0131ran bir kalite”).<\/p>\n\n\n\n t\u00fag-TAR<\/strong> \u2013 k\u0131sa kesim elbise (?) (‘kuma\u015f’ + ‘kesmek’).<\/p>\n\n\n\n tag<\/strong> \u2013 dokunmak, takmak, tutmak, ataklamak<\/p>\n\n\n\n du<\/strong>3<\/sub> \u2013 yapmak, uygulamak, i\u015flemek<\/p>\n\n\n\n dirig<\/strong> \u2013 \u201cy\u00fcksek(te) olmak, y\u00fckseklere in\u015fa etmek\u201c<\/p>\n\n\n\n \u2192 \u2018tunik\u2019 s\u00f6z\u00fcn k\u00f6klerini g\u00f6r\u00fcyoruz: t\u00fag-n\u00ed-l\u00e1m<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n tok\u0131<\/strong> \u2013 \u201cvurmak, d\u00f6vmek, \u00e7akmak, t\u0131klatmak, dokumak, arga\u00e7lamak<\/p>\n\n\n\n tokmak<\/strong> \u2013 \u00f6rne\u011fin hal\u0131lar\u0131 dokumak\/vurmak i\u00e7in yarayan ara\u00e7<\/p>\n\n\n\n ton<\/strong> \u2013 \u201celbise\u201d<\/p>\n\n\n\n t\u00fcg<\/strong> \u2013 \u201cd\u00fc\u011f\u00fcmlemek\u201d<\/p>\n\n\n\n t\u00fck<\/strong> \u2013 \u201cy\u00fcn.\u201d (ETS: 217; EUTS: 168)<\/p>\n\n\n\n t\u00fclt\u00fcr<\/strong> \u2013 \u201c\u00e7arpmak, vurmak\u201d<\/p>\n\n\n\n t\u00fcl\u00fck<\/strong> \u2013 \u201cboh\u00e7a.\u201d (ETS: 218)<\/p>\n\n\n\n ta\u0121ar <\/strong> <\/strong> \u2013 \u201ctorba, da\u011farc\u0131k, da\u011far\u201d<\/p>\n\n\n\n tekzim<\/strong> ~ t\u00e4kzim \u201cpamuktan veya ba\u015fka nesneden yap\u0131lm\u0131\u015f kabartma\u201d; teksin\u00e7 ~ tegzin\u00e7 \u201ctomar<\/p>\n\n\n\n doku(n)mak <\/strong> \u2192 *tug2<\/sub> \/ *tu14<\/sub> \/*tuku5 <\/sub>k\u00f6kleri ile \u00f6rt\u00fc\u015f\u00fcr; S\u00fcmer dilinde T\u00fcrk\u00e7enin ilk izlerindendir<\/p>\n\n\n\n de\u011fmek<\/strong><\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n Hun. th\u00e1ga<\/strong> \u2013 <\/p>\n\n\n\n ba\u015f\u0131n\u0131 ve kimi zaman da ba\u015f\u0131yla birlikte y\u00fcz\u00fcn\u00fc kapayan dantel ya da t\u00fclden \u00f6rt\u00fc<\/p>\n\n\n\n Mac. t\u00e1kol<\/strong> \u2013 h\u0131zl\u0131ca yap\u0131vermek, takmak<\/p>\n\n\n\n S\u00fcmerce: tuku5 “to beat, strike of cloth; to weave”<\/p>\n\n\n\n [Hunnic-Hungarian Etymological Word List (based on the editions of the Isfahan codex by Dr. Csaba Detre and Imre Pet\u0151) BY PROF. DR. ALFR\u00c9D T\u00d3TH, 2007]<\/p>\n\n\n\n <\/p>\n\n\n\n Hitit yaz\u0131l\u0131 belgelerinde kad\u0131n ve erkek giysileri birbirinden ayr\u0131 olarak belirtilmi\u015ftir. Kad\u0131nlarda yukar\u0131 \u00e7ekilmi\u015f elbise, bir i\u015flemeli tunik, manto, bir ba\u015fl\u0131k, bir i\u00e7 elbisesi, bir tak\u0131m kemerli tunik, bir tak\u0131m g\u00fcm\u00fc\u015ften g\u00f6\u011f\u00fcs s\u00fcs\u00fc gibi kad\u0131na ait k\u0131yafet t\u00fcrleri yer almaktad\u0131r. Di\u011fer pasajda ise erkek k\u0131yafet par\u00e7alar\u0131 s\u0131ralanm\u0131\u015ft\u0131r. Ortak giyilen k\u0131yafet tuniktir. \u0130nce giysi (T\u00daG.SIG<\/strong>), t\u00f6ren giysisi (T\u00daGku\u0161i\u0161i<\/strong>), i\u015flemeli tunik (T\u00daGE.\u00cdB MA\u0160-LU<\/strong>), mavi \u00e7orap veya tozluk (T\u00daGGADA-DAM.ZA-G\u00ccN<\/strong>), beyaz g\u00f6mlek (T\u00daGG\u00da BABBAR<\/strong>) … erkek k\u0131yafetlerini olu\u015fturmaktad\u0131r. Bunun yan\u0131 s\u0131ra t\u00f6ren, bayram giysisi ayr\u0131lmaktad\u0131r ( T\u00daGN\u00cdG.LAM(ME\u0160)<\/strong> ) . Bu tip k\u0131yafetlerin renkli ve k\u0131ymetli ta\u015flarla s\u00fcsl\u00fc olanlar\u0131 bilinmektedir. Bunlar tek par\u00e7al\u0131 k\u0131yafetlerdir. K\u00fclt envanter metinlerinde \u201ct\u00f6ren giysisinin\u201d saray taraf\u0131ndan tanr\u0131\u00e7alara hediye edildi\u011fi g\u00f6r\u00fclmektedir. (\u00d6zlem T\u00fct\u00fcnc\u00fcler, M.\u00d6. 2. B\u0130N EGE B\u00d6LGES\u0130 DOKUMA ALETLER\u0130, S.75)<\/p>\n\n\n\n Hitit\u00e7e s\u00f6z varl\u0131\u011f\u0131 do\u011frudan S\u00fcmerceden kaynaklan\u0131r. Bunlar\u0131 s\u0131ral\u0131yoruz:<\/p>\n\n\n\n T\u00daG.SIG <\/strong> <\/strong> \u2013 \u201cince giysi\u201c<\/p>\n\n\n\n T\u00daGku\u0161i\u0161i <\/strong> <\/strong> \u2013 \u201ct\u00f6ren giysisi\u201c <\/p>\n\n\n\n T\u00daGE.\u00cdB MA\u0160-LU <\/strong> <\/strong> \u2013 \u201ci\u015flemeli tunik\u201c<\/p>\n\n\n\n T\u00daGGADA-DAM.ZA-G\u00ccN <\/strong> <\/strong>\u2013 \u201cmavi \u00e7orap veya tozluk\u201c <\/strong><\/p>\n\n\n\n T\u00daGG\u00da BABBAR <\/strong> <\/strong> \u2013 \u201cbeyaz g\u00f6mlek\u201c<\/p>\n\n\n\n T\u00daGN\u00cdG.LAM(ME\u0160) <\/strong> \u2013 \u201ct\u00f6ren, bayram giysisi\u201c<\/p>\n\n\n\n <\/p>\n\n\n\n Buddhac\u0131 Uygur metinlerinde g\u00f6r\u00fclen tak\u015fut<\/em> s\u00f6zc\u00fc\u011f\u00fc \u015fiir, naz\u0131m, beyit ve manzume anlamlar\u0131nda kullan\u0131lm\u0131\u015ft\u0131r. [T\u00fcrk Dili ve Edebiyat\u0131, Ozan Sayman]<\/p>\n\n\n\n Bu s\u00f6z\u00fcn k\u00f6kleri Hitit ve S\u00fcmer dillerine dayan\u0131yor.<\/p>\n\n\n\n tak\u0161, takke\u0161, tagga\u0161 <\/em> \u2013 birle\u015ftirmek, i\u015flemek, dikmek, \u2192 kr\u015f. tahsis(!), taksit<\/p>\n\n\n\n Friedrich – Kurzgefasstes hethitisches W\u00f6rterbuch (1991)<\/p>\n\n\n\n <\/p>\n\n\n\n tektonik<\/strong> (s\u0131f.) \u2013 1650’lerden itibaren, “in\u015faat veya in\u015faatla ilgili”,<\/p>\n\n\n\n Ge\u00e7 Latince tectonicus’tan, Yunanca tektonikos’tan “in\u015fatla ilgili”den, tektondan (genitif tektonos) “in\u015faat\u00e7\u0131, marangoz, ah\u015fap i\u015f\u00e7isi; herhangi bir sanatta usta (heykel, metal i\u015f\u00e7ili\u011fi, yazma),” Proto HA k\u00f6k\u00fcnden *teks- “dokumak”, ayr\u0131ca “fabrika etmek”. “Yer kabu\u011funun yap\u0131s\u0131yla ilgili” jeolojik anlam 1887’den itibaren kaydedilmi\u015ftir.<\/p>\n\n\n\n \u0130svi\u00e7reli filolog Wolfgang Kastner \u201ctekton\u201c s\u00f6z\u00fcn\u00fc 1991\u2019de Museum Helveticum<\/em> dergisinin 48ci cildinde \u201cTEKTON \u2013 MEMNON: Zu den Wurzeln tek- und men- im Griechischen\u201c adl\u0131 makalesinde ayr\u0131nt\u0131l\u0131 \u015fekilde inceleyip tetkik edip esasen *teks de\u011fil de *tek morfemin as\u0131l k\u00f6k olmas\u0131 gerekti\u011fini a\u00e7\u0131klam\u0131\u015ft\u0131r.<\/p>\n\n\n\n Kastner \u201ctekton\u201c s\u00f6z\u00fcn etimolojik soy a\u011fac\u0131n\u0131 \u00e7izip yaz\u0131s\u0131n\u0131n sonuna ekledi.<\/p>\n\n\n\n O tablonun bir fragman\u0131 \u015f\u00f6yle:<\/p>\n\n\n <\/p>\n\n\n\n Makalede \u201ctekton\u201c s\u00f6z\u00fcn *tek k\u00f6k\u00fcnden iki farkl\u0131 ses olay\u0131ndan nas\u0131l evrildi\u011fi a\u00e7\u0131klan\u0131yor<\/p>\n\n\n\n *tek<\/em> k\u00f6k\u00fcne \u201cd\u00f6\u015femek, birle\u015ftirmek, yapmak, in\u015fa etmek\u201c anlamlar\u0131n\u0131 vererek onun varl\u0131\u011f\u0131n\u0131 Yunancadaki tiktein<\/em> \u201cdo\u011furmak, yaratmak\u201c s\u00f6z\u00fcne ba\u011fl\u0131yor Kastner.<\/p>\n\n\n\n \u015eimdi T\u00fcrk diline ge\u00e7erken *tek<\/em> k\u00f6k\u00fcn anlam\u0131n\u0131 g\u00fcn\u00fcm\u00fczde kullan\u0131lan dikmek s\u00f6z\u00fcnde buldu\u011fumuzu olduk\u00e7a vurgulamak gerekir.<\/p>\n\n\n\n Dikmek<\/em> ve diriltmek<\/em> s\u00f6zlerin S\u00fcmerce<\/p>\n\n\n\n dirig<\/em> \u201cy\u00fcksek olmak, y\u00fckseklere in\u015fa<\/strong> etmek\u201c<\/p>\n\n\n\n de \u00f6rne\u011fi var.<\/p>\n\n\n\n Ayr\u0131ca do\u011furmak<\/p>\n\n\n\n du<\/em> \u2013 \u201cyapmak, in\u015fa etmek\u201c<\/p>\n\n\n\n utud<\/em>\/tuud<\/em> \u2013 \u201cdo\u011furmak\u201c<\/p>\n\n\n\n Kal\u0131n ve yuvarlak [o]\/[u] \u00fcnl\u00fclerin d\u00fcz [e] ve [i] \u00fcnl\u00fclerine d\u00f6n\u00fc\u015fmesi ko\u015fuluyla hem *tek<\/em> morfemin hem g\u00fcn\u00fcm\u00fcz T\u00fcrk\u00e7esinde kullan\u0131lan dikmek s\u00f6z\u00fcn en arkaik S\u00fcmer dilindeki *tu<\/em> k\u00f6k\u00fcnden t\u00fcredi\u011fini \u00f6ne s\u00fcrebiliriz.<\/p>\n\n\n\n 10000 y\u0131l \u00f6nce insanlar konaklama amac\u0131 d\u0131\u015f\u0131nda diktikleri yap\u0131tlar yan\u0131nda kuma\u015f dokumac\u0131l\u0131\u011f\u0131na ba\u015flad\u0131klar\u0131n\u0131 ve sonraki \u00e7a\u011flara ait Yunanca dilindeki tektonik<\/em> gibi bir s\u00f6z\u00fcn \u00f6nceden var olan S\u00fcmer dili ve k\u00fclt\u00fcr\u00fcnden evrildi\u011fini an\u0131msayarak tarihi olgular kan\u0131lar\u0131m\u0131z\u0131 do\u011frulad\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz.<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n s\u00fcbtil (s\u0131f.) c. 1300 (13. y\u00fczy\u0131l ortas\u0131, soyad\u0131 olarak), sotil, “i\u00e7ine i\u015fleyen; ustaca; incelikli” (zihne ait); Eski Frans\u0131zcadan sotil, soutil, subtil “usta, kurnaz, bilge; ayr\u0131nt\u0131l\u0131; iyi haz\u0131rlanm\u0131\u015f” (12c., Modern Frans\u0131zca subtil), Latince subtilis<\/em>‘ten “ince, ince, narin, ince dokunmu\u015f<\/strong>;” mecazi olarak “kesin, hassas, do\u011fru”;<\/p>\n\n\n\n lezzete\/yarg\u0131: “iyi, ho\u015f, keskin”; tarz\/stil: “sade, basit, do\u011frudan”;<\/p>\n\n\n\n HA: *teks<\/em>– “dokumak”, ayr\u0131ca “fabrika etmek”.<\/p>\n\n\n\n Watkins’e g\u00f6re “\u00e7\u00f6zg\u00fc alt\u0131ndan ge\u00e7en iplik, en ince iplik”<\/p>\n\n\n\n ST: tug2<\/sub> \/ tu14<\/sub> \/ tuku5 <\/sub>; doku –> *tek, *teg<\/p>\n\n\n\n kal\u0131n ve yuvarlak [o] ince ve d\u00fcz [e] \u00fcnl\u00fcs\u00fcne d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc g\u00f6r\u00fcyoruz<\/p>\n\n\n\n du \u201cyapmak, in\u015fa etmek\u201c, dirig \u201cy\u00fcksek olmak, y\u00fckseklere in\u015fa etmek\u201c<\/p>\n\n\n\n dikmek, diriltmek, do\u011fmak<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n text<\/strong> <\/strong> \u2013 metin (i.)<\/p>\n\n\n\n Eski Frans\u0131zca texte’den, Eski Kuzey Frans\u0131zca tixte’den “metin, kitap; \u0130nciller” (12c.), Orta\u00e7a\u011f Latince textus’tan “Kutsal Yaz\u0131lar, metin, inceleme”,<\/p>\n\n\n\n Ge\u00e7 Latince “yaz\u0131l\u0131 olan herhangi bir \u015feyin ifadesi” hesap, i\u00e7erik, bir belgede kullan\u0131lan karakterler,” Latince textus<\/em>‘tan “bir i\u015fin stili veya dokusu”;<\/p>\n\n\n\n kelimenin tam anlam\u0131 “dokunmu\u015f \u015fey<\/strong>“;<\/p>\n\n\n\n Latince texere<\/em> “\u00f6rmek, birle\u015ftirmek, bir araya getirmek, \u00f6rmek, i\u00e7 i\u00e7e ge\u00e7irmek, in\u015fa etmek , fabrikasyon, in\u015fa”<\/p>\n\n\n\n HA: *teks- “dokumak, imal etmek, yapmak; has\u0131r veya sazdan \u00e7er\u00e7eve yapmak”<\/p>\n\n\n\n ST: tug2<\/sub> \/ tu14<\/sub> \/ tuku5 <\/sub>; doku –> tek, teg<\/p>\n\n\n\n kal\u0131n ve yuvarlak [o] ince ve d\u00fcz [e] \u00fcnl\u00fcs\u00fcne d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc g\u00f6r\u00fcyoruz<\/p>\n\n\n\n tekstil<\/strong><\/p>\n\n\n\n 1620’lerden, Latince textilis<\/em>‘ten “a\u011f, kanvas, dokuma kuma\u015f, kuma\u015f, dokunmu\u015f bir<\/p>\n\n\n\n1. Tarihte Dokumac\u0131l\u0131\u011f\u0131n ba\u015flang\u0131\u00e7lar\u0131<\/a><\/h1>\n\n\n\n
![\"\"](\"https:\/\/mublog.net\/wp-content\/uploads\/2022\/11\/sumer_elbise.png\")
2. S\u00fcmer, T\u00fcrk ve Hun Dilinde Giyim ve Dokumac\u0131l\u0131k ile ilgili s\u00f6z varl\u0131\u011f\u0131<\/a><\/h1>\n\n\n\n
2.1 S\u00fcmerce s\u00f6z varl\u0131\u011f\u0131<\/a><\/h2>\n\n\n\n
<\/p>\n\n\n\n2.2 T\u00fcrk\u00e7e s\u00f6z varl\u0131\u011f\u0131<\/a><\/h2>\n\n\n\n
<\/p>\n\n\n\n2.3 Hunca\/Macarca s\u00f6z varl\u0131\u011f\u0131<\/a><\/h2>\n\n\n\n
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<\/p>\n\n\n\n3. S\u00fcmerce tug2<\/sub> \/ tu14<\/sub> \/ tuku5<\/sub> k\u00f6klerin miras\u0131<\/a><\/h1>\n\n\n\n
3.1 Hitit\u00e7e<\/a><\/h2>\n\n\n\n
3.1.1 Hititlerde giyim<\/a><\/h3>\n\n\n\n
<\/p>\n\n\n\n3.1.2 Hitit\u00e7e tak\u0161<\/em> ile Uygur metinlerinden gelen \u015fiir, naz\u0131m, beyit anlam\u0131ndaki tak\u015fut<\/em><\/a><\/h3>\n\n\n\n
<\/p>\n\n\n\n3.2 Hint Avrupal\u0131 dillerinde tug2<\/sub> \/ tu14<\/sub> \/tuku5 <\/sub>k\u00f6klerin izleri <\/a><\/h2>\n\n\n\n
3.2.1 tektonik<\/a><\/h3>\n\n\n\n
![\"\"](\"https:\/\/mublog.net\/wp-content\/uploads\/2022\/11\/Kastner.png\")
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3.2.2 s\u00fcbtil<\/a><\/h3>\n\n\n\n
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3.2.3 text\/textil<\/a><\/h3>\n\n\n\n
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